Education 1986 The Whitney Independent Studies Program, New York 1985 The School of the Art Institute of Chicago 1984 The Banff Center School of Fine Arts, Banff, Canada 1981 The Ontario College of Art, Toronto, Canada Solo Exhibitions: 1995 303 Gallery, NY 1994 "Untitled, 1994 (Fear Eats the Soul/ Angst Essen Seele Auf)", Schipper & Krome, Koln, Germany "Untitled, 1994 (Beauty)", Jack Hanley Gallery, San Francisco, CA 1993 "Untitled, 1993 (Live and Eat, Eat and Die)", Randolph St Gallery, Chicago IL 1992 "Untitled, 1992 (Free)", 303 Gallery, New York, NY 1991 "Untitled, 1990 (Blind)", Randy Alexander Gallery, New York, NY 1990 "Pad Thai", Project Room, Paula Allen Gallery, New York, NY Group Exhibitions: 1995 Whitney Biennal, Whitney Museum of American Art, NY 1994 "Mobius Strip", Basilico Fine Arts, NY "Cocido Y Crudo", curated by Dan Cameron, Reina Sofia, Madrid, Spain "Esprit d'Amusement", Grazer Kunstverein, Graz, Austria "Performance Video Weekend", Stockholm, Sweden "do it", curatd by Hans-Ulrich Obrist, Ritter Klagenfurt, Austria "The Winter Of Love", P.S.1 Museum, Queens, NY "Rirkrit Tiravanija/Andy Warhol", Gavin Brown's enterprise, NY "Lost Paradise", curated by Barbara Steiner, Kust Raum, Wien "Out Side the Frame", Cleveland "SPNY", Galerie Camargo Vilaca, Sao Paulo "Drawing on Sculpture", Cohen Gallery, NY "Residence Secondaitre", Paris, France Metro Pictures, organized by Friedrich Petzel, NY "Surface de Reparations", organised by Eric Troncy, Le Consortium, Centre d'Art Contemporain, Dijon, France 1994 "Camping", Galerie Jennifer Flay, Paris, France "Don't Look Now", organized by Joshua Decter, Threadwaxing Space, New York, NY "L'Hiver de l'Armour", Musee d'Art Moderne de la Ville de Paris, Paris, France 1993 "Viennese Stories", curated by Jerome Sans, Veinna Secession, Vienna, Austria "Real, Real", Vienna Secession, Vienna, Austria Holly Solomon Gallery, New York, NY "Backstage", Kunstverien in Hamburg, Hamburg, Germany; Kunstmuseum, Lucerne, Switzerland (1994) "Migrateurs", curated by Hans-Ulrich Obrist, Musee d'Art Moderne de la Ville de Paris, Paris, France "Real Time", curated by Gavin Brown, Institute of Contemporary Arts, London, England 1301, Los Angeles, CA Kunstlerhaus Bethanien, organised by Tim Neuger, Berlin, Germany "Spielholle", curated by Kasper Konig and Robert Fleck, Grazer Kunstverein, Graz, Austria, Galerie Sylvia Lorenz, Paris, France "Aperto", Venice Biennale, Venice, Italy (curator: Matthew Slotover) "Sleepless Nights", curated by Zdenka Gabalova, PS1 Museum, Queens, NY Galerie Max Hetzler, organised by Tim Neuger, Koln, Germany "Simply Made in America", Aldrich Museum of Contemporary Art, CT 1992 "Transgressions In The White Cube: Territorial Mapping", organized by Joshua Decter, Usdan Gallery, Bennington College, Bennington, VT "Writings on the Wall", 303 Gallery, New York, NY "Home Improvements", curated by Gavin Brown, 209 W97th, Apt 7B, New York, NY 10025 "Consumed", Goethe House, New York, NY "Insignificant", curated by Gavin Brown, 10 E39th St, Suite 525, New York, NY 10016 "One Leading to Another", 303 Gallery, New York, NY 1991 "The Big Nothing or Le Presque Rien", The New Museum of Contemporary Art, New York, NY "Brooklyn", Jack Tilton Gallery, New York, NY "Wealth of Nations", Center for Contemporary Arts, Ujazdowski Castle, Warsaw, Poland "Dis Mantling Invisibility: Asian & Pacific Islander Artists Response to the AIDS Crisis", Art in General, New York, NY "Shooter's Hill", AC Project Room, New York, NY "Arriving", Leonor Datil Perez Gallery, New York, NY "Home?", Home for Contemporary Theatre & Art, New York, NY "True to Life", 303 Gallery, New York, NY "Fluxattitude", Hallwalls, Buffalo, NY; New Museum of Contemporary Art, New York, NY (1992) "Marginal Majority, (Artists Against Racial Prejudice)", Arron Davis Hall, New York, NY 1990 "Post-Consumerism", The Storefront for Art & Architecture, New York, NY "Work on Paper", Paula Allen Gallery, New York, NY "4th Annual Invitational", Cold City Gallery, Toronto 1989 "Caught In A Revolving Door", The Alumni Association of the School of the Art Institute of Chicago, Chicago, IL1989 "Outside the Clock: Beyond Good & Elvis", Scott Hanson Gallery, New York, NY Film Exhibitions: 1991 Video Event, Tom Cugliani Gallery, New York, NY 1985 New Film Maker, The Collective for Living Cinema, New York, NY Projects: 1990 The Arrival: Message to the Public, Spectracolor board at Times Square, New York, NY
Bibliography: 1995 Hainley, Bruce, "Reviews", Artforum, Jan.1995, p.86 1994 Brown, Gavin, "Otherthings, Elsewhere", Flash Art, Summer 1994, p.102 Schumacher, Rainald, "Koln Kritik", Flash Art", Summer 1994, p.51 Cameron, Dan, "Food for Thought", frieze, issue 17, 1994, p.50 Besson, Christian, "Surface de Reparations", Flash Art, May/June, p.122 "Surface de Reparations", organised by Eric Troncy, Le Consortium, Centre d'Art Contemporain, Dijon, France "Don't Look Now", catalog, essay by Joshua Decter, Threadwaxing Space, New York, NY "L'Hiver de l'Armour", catalog, Musee d'Art de la Ville de Paris, Paris, France "Rirkrit Tiravanija"(interview), documents, Fevrier, 1994 , no.5, p.33 1993 Bonami, Francesco, "Dion, Grey, Joo, Pardo, Pippin, Tiravanija", Flash Art, May/June, p.80 Weitzer, Ludo, "The Accidental Tourist", Flash Art, October, p. 44-45 "Backstage", catalog, Kunstverien in Hamburg, Hamburg, Germany Hixon, Kathryn, "Trouble in Paradise", New Art Examiner, October, p. 31 Myoda, Paul, "Amateure der Genealogie", Neue Bildende Kunst, 2-93, p. 11-14 Fleck, Robert, "Spielholle - Asthetik und Gewalt", Rogue, #17, p.17 -32 Hoqvist, Karl, siksi, The Nordic Art Review issue 4, 1993 "Real Time", catalog, essays by Gavin Brown & Emma Dexter, ICA London, Great Britain "Aperto", Venice Biennale, Venice, Italy (curator: Matthew Slotover) "Eating with Publicsfear", project for Publicsfear, volume 1, #2, p.38 Myers, Terry, Review, Tema Celeste , Winter, p. 83 "Sleepness Nights", exhibition pamphlet, PS1 Museum, Queens, NY Weil, Benjamin, "Ouverture", Flash Art, January/February, p.79 "Simply Made in America", catalog, Aldrich Museum of Contemporary Art "Wealth of Nations", catalog, Center for Contemporary Arts, Ujazdowski Castle, Warsaw, Poland1992 1992 "Transgressions In The White Cube: Territorial Mapping", Organized by Joshua Decter, Usdan Gallery, Bennington College, catalog, Bennington, VT Nesbitt, Lois, Review, Artforum , December, p.95 Smith, Roberta, "The Gallery Is the Message", The New York Times , October 4th, p35 1991 Hess, Elizabeth, "The White Rabbit, (Among Other Alternatives)", The Village Voice, December 17 Heartney, Eleanor, Review, Art in America, June Faust, Gretchen, Review, Arts, April Joseph, Regina, "Being in Nothingness", The West Side Spirit, Feb 4 1990 Kelly, Deidre, "Works Strange But True", The Globe & Mail, August 17 Hume, Christopher, "Freeze Out:", Toronto Star, August 10 Faust, Gretchen, Reveiw, Arts, May Phora, Pia, Review, Contemporanea, Vol. 3 No. 2, February Hodgkin, Carter, Review, Nike Magazine, January 1989 Kramer, Hilton, "Soho Show; Prestigious, maybe, but just more shopworn farce", The New York Observer, July 31 Smith, Roberta, Review, The New York Times, July 21 Wallach, Amei, "The Young Turks' Old Master", New York Newsday, July 16