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| 1 / |
introduction: |
" I take a particular
technology as both my subject matter and my
medium and make a work which uses that
technology and simultaneously engages in a
discourse with it."
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| 2 / |
Big Father: |
" ...the Foucauldian notion of the Panopticon is
often counterposed to the Debordian notion of the
Spectacle. Big Father proposes that these two are
flip sides of the same, they function in a relay..."
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| 3 / |
tool development flow: |
" So this is not just a matter of pretty pictures to entertain us. This is a matter of making people operate more efficiently. "
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| 4 / |
Petit Mal: |
". Petit Mal is an exploratory first stage in an
specialised esthetic realm"
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| 5 / |
reflexive engineering: |
" . The heart of the mechanical structure of the robot is a
double pendulum, an inherently unpredictable
mechanism "
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| 6 / |
emergent personality: |
" I I believe that a significant
amount of the 'information' of which the behavior of the
robot is constructed, is inherent in the mechanical
behavior of the hardware, not in the code."
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| 7 / |
physiognomy, behavior and mimesis: |
" I wanted to present the
viewer with a phenomenon which was clearly sentient,
while also being itself, a machine, not masquerading as a
dog or a president."
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| 8 / |
agents in aocial space: |
" The vast majority of the information which shapes the
understanding of an agent is not inherent in the agent,
but is in the cultural education of the viewer"
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| 9 / |
the engineering world view: |
" Science and Engineering is not an homogeneous entity."
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| 10 / |
out of engineering: |
" if the measures
and definitions for human faculties are modeled on the
computer, and the computer is an embodiment of a value
system predicated on industrial methods of control and
production for profit and efficiency, then the person has
been successfully reduced to an entity only assessable
within these criteria.. "
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| 11 / |
clever meat: |
" I want in all seriousness to argue that I think with my
arms and I think with my stomach. "
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| 12 / |
simulation and the demise of body knowledge l: |
" I would counter that all
digital techniques are based on pre-digital techniques,
where else can they have come from? "
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| 13 / |
prosthetical bondage and mechanistic mimesis: |
" All technology is prosthetic, contrived according to
mechanistic approximations of specific task domains
which optimize a particular function. "
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| 14 / |
negotiating engineering and art: |
" The effects of art practice 'going digital' include the
ephemeralization of the art object and elimination of
substantial dimensions of bodily involvement. "
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| 15 / |
sympathetic sentience: |
" Sympathetic Sentience (by Simon Penny and Jamieson
Schulte) is an interactive sound installation which
generates complex patterns of rhythmic sound through
the phenomenon of 'emergent complexity'. "
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| 16 / |
A postscript on the emerging aesthetics of
interactive art: |
" There are two currently diverging markets for art. And I use the term art loosely to
include fine art and also artfully created media material. The beast and the brain. "
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